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Hiro at Pace/MacGill Gallery


New York, February 12, 2016 Pace/MacGill Gallery is pleased to present a retrospective exhibition of photographs by Hiro. Featuring color fashion images from the 1960s and 70s, celebrity portraits, and personal work projects, Hiro celebrates the originality of vision, technical innovation, and precision of execution that mark the photographer's distinguished and enduring career. The exhibition will be on view from February 25 through April 16, 2016, with an opening reception for the artist on Thursday, February 25 from 5:30 to 7:30 pm.

Born Yasuhiro Wakabayashi to Japanese parents in Shanghai in 1930, Hiro arrived in New York City in 1954, where he began his photographic training as an assistant to Richard Avedon. Through Avedon's introduction, he started working under renowned art director Alexey Brodovitch at Harper's Bazaar in 1956. Hiro's fashion and editorial career quickly flourished, and by 1963 he was the only photographer under contract with the magazine a position he enjoyed for the next ten years. Now in his mid-80s and no longer under contract, Hiro continues to take assignments with the magazine that reinforce his status as a creative conceptualist and exquisite craftsman.

Photographs by Hiro at Pace/MacGill Gallery

Hiro photography at Pace MacGill



Infused with an elegant sense of Surrealism, Hiro's images embrace the use of bold color, dynamic design, experimental lighting, and unconventional compositional juxtapositions to transport viewers to illusory realms where the boundaries between genres disappear. Whether photographing The Rolling Stones, Tokyo subway commuters, fighting fish, the 1969 Apollo 11 spaceship launch, or a baby's foot, Hiro approaches his subjects with a distinctly metamorphic vision. As Mark Holborn observes of the photographer's practice in the 1999 monograph, Hiro: Photographs by Hiro:


In Hiro's world everything is new. The most mundane objects or the most delicate features are transformed. A toenail, the pupil of an eye, a mouth or a light-switch are seen with the same concentration. Concentration is Hiro's most obvious quality. When he takes the whole theater of fashion to the beach, he returns with a metaphysical contemplation.

Hiro's photographs are held in the permanent collections of institutions worldwide, including George Eastman House, Rochester, New York; The J. Paul Getty Museum, Los Angeles; Kobe Fashion Museum, Japan; Maison Européenne de la Photographie, Paris; Museum of Fine Arts, Boston; National Portrait Gallery, Washington, D.C.; Tokyo Metropolitan Museum of Photography, Tokyo; and Victoria and Albert Museum, London, among others. The first solo exhibition of his work in a major American institution, Hiro: Photographs, is currently on view at the Museum of Fine Arts, Boston through August 2016.

For more information about Hiro or press requests, please contact Margaret Kelly at 212.759.7999 or margaret@pacemacgill.com. For general inquiries, please email info@pacemacgill.com.

Images:
Hiro, Black Evening Dress in Flight, New York, 1963 © Hiro
Hiro, Robotic Hand, Salt Lake City, Utah, 1986 © Hiro

One of the world's leading photography galleries, Pace/MacGill has been dedicated to advancing fine art photography for over 30 years. Known for discovering artists, representing masters, and placing important collections and archives into major public institutions, Pace/MacGill has presented some 200 exhibitions and published numerous catalogues on modern and contemporary photography. Founded in 1983 by Peter MacGill, in collaboration with Arne Glimcher of Pace Gallery and Richard Solomon of Pace Editions, Pace/MacGill is located at 32 East 57th Street in New York City.

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